Creative Spotlight: Tori O’Shea, Photographer of Storms, Nature, and the Macabre

What is your vision of the perfect life? Would you like to blend all of your favorite interests, pastimes, and talents into a profession you love waking up to? That is exactly what today’s guest is doing!

Please meet artist, photographer, and meteorologist Tori O’Shea: a fun-loving twenty-something who is combining all her favorite things into one amazing, creative life. She’ll be sharing five tips for taking up photography as a hobby, and we’ll tell you how to purchase her prints!

roofchase2WMDAbout Tori:

I am a 25 year old meteorology student. Severe weather and art have both been my passions since I was a very small child; so small, in fact, that I don’t even remember when I decided that I wanted to chase storms. It’s been ingrained in my blood since before I formed memories. At two years old, I began drawing. I was always drawing; in fifth grade I got a detention for drawing in class. At twelve, my interest in photography came about. Throughout high school I took photo classes and my passion for it was set in stone. I realized that, of course, I could fuse my love of the lens in with my love of severe weather, and I’ve been chasing storms casually for photography purposes (and for my own love of simply watching them, of course) for almost eight years; however, I’ve been chasing seriously (with the intent of paving a road to a real career) for a little under a year now. I went full-on into it last year after I met a group of local storm chasers- new friends with the same passion as mine (this was amazing, as I have been so accustomed to being the only person I’ve ever met who’s wanted to do this with love for it since early childhood- and now I have a group of amazing, talented friends with the same love- a big shout out to Bryan, Mike, Christian, Andy, Corbin, Trey, and everyone else! The list is a tad too long to include in full here, but these people really lit a fire within me and inspired me to take myself to the next level) and I haven’t looked back since. In the future, I hope to be published in Arizona Highways and National Geographic, and I hope to work for a storm tour company or, at the very least, be able to work storm chasing into how I make a living in some way. To live entirely off of my passion is my aim and major focus right now for sure.

Museiddity: Hi Tori. In your opinion, how important is creativity in regards to daily life?

Tori: It is crucial. Sure, there’s a lot of times where all it takes to get a good shot is to set your camera up, make sure the settings are all correct and get to shooting- but this won’t help you make your “good shots” interesting. Creativity is where the human element meets the technicals; how does one go about combining their technical knowledge with their desire to make a beautiful piece of work? This is where the creativity comes in; without it, everyone’s work would be similar and in no way truly their own. It is our creativity that makes us individuals, from the way we dress to the way we choose to express ourselves. Without it, we’d all simply be cogs in a machine. A boring, boring machine.

Museiddity: How has the camera lens changed your view of the world?

Tori: I’d have to say that it has made it more beautiful. I can see art and beauty in things that many people see only decay or danger in. I have a love for things like abandoned buildings and weather that can kill, a love for the darker side of human expression (like an image I 216710_10151613267710087_1534070582_nshot in an abandoned jail cell in Jerome, Arizona in which someone had spray-painted “IT WAS MORE FUN IN HELL” on the wall, or an image I shot that people continually tell me is “unsettling” of a brilliant piece of graffiti in Flagstaff of a small child staring upward at a large boulder hovering above their head), and I love it. Without the eye of an artist, I’d still appreciate beauty like any human being, of course- but I do feel that art and photography has turned an appreciation of beauty into a untitled (1 of 6)deeper understanding of why something is beautiful, even if it’s morbid or revolting. To someone else, it might be creepy, or weird, or even totally crazy, but as said by Hunter S. Thompson, “‘Crazy’ is a term of art; ‘Insane’ is a term of law. Remember that and you’ll save yourself a lot of trouble.”

Museiddity: Many of the “masters” walked that gray line! It takes courage to share uncommon visions. What message, if any, are you trying to convey through your art?

Tori: I seldom try to convey any singular messages in particular, honestly- what I try to achieve is to tell a story that begins and ends in the same image. I want it to suck you in, draw you through, and safely drop you off at the end after ruffling your hair a bit.

Museiddity: I love that last line! You stated your work has been featured in a tattoo? There must be a story behind that!

Tori: Oh man! That IS a funny story in the sense that it was so unexpected; my senior year of high school, I was at Denny’s with a group of friends and I was drawing (as usual) on a napkin. It was the only thing available. Well, when I was younger (and admittedly, still now) I was a fan of a morbid cult comic book series called Johnny the Homicidal Maniac; in one particular issue, the main character says the phrase “Immortalize the moment!” while brandishing a pair of large knives at his date (I know, I know, don’t judge). I drew a machete-style knife with that phrase embedded in it, and set the napkin aside to draw on another one. I didn’t think much of it at all until my friend Matt showed me that he’d gotten that napkin drawing tattooed! He liked it so much that he put it on his body permanently- how cool is that?

Museiddity: Wow, I can’t even imagine how you felt when you saw that! Thank you for sharing your thoughts with us today. IMG_0251WMD

Tori’s Five Tips for Taking Up Hobby Photography:

1. Learn, learn and learn some more. I can’t state this enough. If you know the ins and outs of how your camera works, what each setting is and how it relates to each other setting, it will absolutely make all of the difference in your final work.

2. Once you’ve learned about the technical aspects- practice them! You can ace every test in your photography class, but without actually going out and working through real-life scenarios in studio and on site, you’ll never really know anything despite having learned it.

3. Watch your ISO. This is your film speed (in both digital and film photography), and it is one of the factors that determines how sensitive your lens is to light. This ties in with the above two, but for me, it’s worth mentioning alone. I call myself the queen of noise- many of my final images have a flaw, at least to me: they’re noisy! You ever notice the dull but colorful “fuzz” in some photos that were taken in low light? That’s noise, and with many of my weather images having been shot at night, I’m still learning about reducing noise. One of the major keys is to work on a low ISO and adjust your other settings to compensate for the slow “film” speed. Sure, you might have to finagle it a bit, but once you’ve nailed your ISO settings- it makes an enormous difference.

4. Always. Carry. A spare. SD card. Always. Carry it in your camera bag, or anywhere that isn’t inside your camera. Seriously. This is probably the most important tip I can give from personal experience. One time, I drove 45 miles out into the nothingness of the desert for a beautiful lightning storm only to be infuriated to discover my SD card was not in my camera. A few of my friends jokingly bought me several extra cards that year as a gift. Thanks, guys.

5. Always, always, always make sure your battery is charged. Always!! You never know when you’ll be on the move and you’ll need your camera. There’s nothing more disheartening than discovering your battery has 14% juice left and you’re shooting a wedding for the next five hours.

Connect with Tori O’Shea on Facebook
View her art at DeviantArt and RAW Artists
Buy Prints: To purchase Tori’s art, just contact her through Facebook or email her at copperstatestormchasing[at]yahoo.com.

Sneaky Art Book Review and Double Giveaway!

When we get right down to it, most of us create so we can share…smiles, joy, and beauty. Quick, easy crafts not only feed our desire to create and spread smiles, they also relieve stress by giving our analytical mind a break. Today I’m sharing a little book that makes it oh, so easy to sneak a bit of art time into your day—no matter what your age. The book is Sneaky Art by Marthe Jocelyn. I’ll be passing my copy on to one lucky winner–along with an extra prize—but first, let me tell you about the book.

MarthebookcoverSneaky Art: Crafty Surprises to Hide in Plain Sight is intended for ages 8-12 but appeals to sneaky artists of all ages. The projects are inexpensive and easily adaptable for large groups, making it a good resource for teachers, but the true beauty of the book lies in the underlying lessons in conceptualization and material re-purposing. For instance, can you make a boat using only the items in the recycle bin? Jocelyn uses wine corks or milk carton bottoms…what else could you use? What can you do with cupcake papers other than cover cupcakes? How about making them into fortune cookies!

Each of the twenty-four projects in Sneaky Art are presented in a simple format listing materials needed, craft instructions, suggestions on where to “sneak” your art, and pictures of the finished pieces in their “sneaky” locations. The author offers clear instructions that “Sneaky Art is not mean, defacing, ugly, hurtful, messy, or permanent. Sneaky Art is not graffiti or marking up someone’s property. Sneaky art is funny clever, thoughtful, subversive, playful, and surprising.” Jocelyn even suggests going back to the scene of our “sneak” and retrieving our art if it is still there. To this I will add my own suggestion that any art placed outdoors be created with good stewardship in mind. We don’t want to create litter, and we don’t want to endanger any wild life. So, any paints should be non-toxic. Do not use thin threads or fishing line as they can wrap around the feet of birds and small animals causing injury. Do not use colored beads or fake berries as birds may ingest them and get sick (or worse).

Would you like to win a copy of Sneaky Art? Details on how to win today’s special double giveaway are at the end of this post.

About the Book:

Sneaky Art: Crafty Surprises to Hide in Plain Sight By Marthe Jocelyn

  • Age Range: 8 – 12 years
  • Grade Level: 3 – 7
  • Hardcover: 64 pages
  • Publisher: Candlewick (March 26, 2013)
  • Language: English

Synopsis:

For young artists, tricksters, and crafters, here is a hip, friendly how-to manual for creating removable and shareable art projects from easily found materials. The sneaky part is in the installation! Each work of art is custom-created for display in public places — a tiny cork-bottomed boat in a public fountain, a plate of tiny paper cupcakes on your teacher’s desk, a penny left on the ground for a stranger, a funny message left on your mother’s bathroom mirror, and more. This utterly unique guide — part craft book, part art-philosophy — offers a stylish and sweet “made-you-look-twice” spirit of fun meant to put a smile on the faces of strangers and loved ones alike.

About the Author:

Marthe Jocelyn spent her childhood in Toronto reading books and putting on plays and circuses in her backyard. Marthe has a long string of jobs: theater usher, cookie seller, waitress, photo stylist, even toy designer before she finally settled on writer. She currently lives in Ontario with her daughters Nell and Hannah.

Marthe Jocelyn’s websites:

http://www.marthejocelyn.com/index.htm

http://sneakyart.com

Twitter: @scissorhouse

#SneakyArt

Double Giveaway!

As part of the Sneaky Art virtual book tour through Women OnMarthebookcover Writing, I am offering a double-prize package consisting of my hardcover, review copy of Sneaky Art and a Rainy Day Art Pack by Marthe Jocelyn.

The Rainy Day Art Pack comes with a body template and a selection of scraps for crafting (decorative paper, pompoms, feathers, yarn, buttons, etc…) Just add glue and scissors! More fun than paper dolls (remember them?) Where will this little character end up? He/she might become part of a collage…or even take part in a “sneaky art” caper!  Rainy Day Artpack

To Enter The Giveaway:

Leave a Comment: Tell us about a time you took part in a sneaky art caper OR tell us about something wonderful you or your child created with re-purposed items OR tell us why this book appeals to you. Make sure your email address is either in your profile or included in your comment so I can get in touch with you!

For additional Entries:

Tweet about this giveaway. Come back and leave the url to your tweet. Be sure to use the hashtag #SneakyArt in your tweet! (Each tweet gains an additional entry!)

Follow @scissorhouse on Twitter (and let us know)

Follow @RCchrps (that’s me) on Twitter (and let us know)

Visit A Ponderance of Things on Sunday, December 15th for more chances to win this Double Giveaway!

Contest runs December 13, 2013 through December 21, 2013. One random winner will be chosen from all entries gathered on Museiddity and A Ponderance of Things. One winner will win the prize package consisting of one hardcover copy of the book, Sneaky Art, and one Rainy Day Art Pack. Items to be mailed separately. Winner to be notified by email and posted in a blog update.

Good Luck!

Update: Congratulations to Pillows-a-la-mode for winning our Sneaky Art double prize! She has been contacted via email 🙂

What’s on Your Craft Bench?

On the Workbench by rlcI thought I’d take a moment to share some of the of the things I’ve been working on and invite you to share your own projects.

Lately, I’ve been in jewelry mode. I decided to create some resin pendants using Halloween-themed pictures I drew a few years ago. It’s fun to take the original illustration and use photo editing to apply different techniques–each pendant comes out unique!

Red Flight bracelet by RLCJust to show the difference, here is a picture of bats flying with the moon in the background. But in one version the moon seems to be bleeding (and has an extra bat), the other (in the picture below) is more sepia toned.

 

On the Workbench Items by rlc

I reverse-painted some clear pendants and ended up with some really neat effects! I especially like the blue one (in the picture here), but there was a lovely, shimmering lilac colored pendant that became the focal for this necklace.

Creations by RLC widget pic

I’ll be adding the finished projects to my shop as I go along. I just recently added these two. One is original artwork in resin, the other is a Dia De Los Muertos lariat necklace featuring hand-formed and hand painted clay skulls. Passkey and Los Muertos by RLCby RLC

So, that’s what’s on my bench right now–what’s on your bench? Are you making crafts for Halloween or stitching gifts for Christmas? Are you trying something new? Do you have a craft to share? Let us know!

 

 

 

 

Guest Post: Interview with Scrapbook Artist Tracy Carrig

It’s always fun to give a little boost to a new artsy friend! So, today we’re joining in on a little virtual party for scrapbook artist, Tracy Carrig. Our party hostess is Briana Vedsted, author of A Girl Named Cord. I hope you enjoy Briana’s interview with Tracy. You can see more of Tracy’s work on Pinterest or catch up with her via her social links posted below.

Interview by Briana Vedsted

Tracy's Scrapbook PageBriana: So, what is “scrapbooking”?

Tracy: Simply put, scrapbooking is putting beautiful, fun paper, photos, and memorabilia together to tell a story. Think of it as enhancing your photos.  They say a picture is worth a thousand words.  What if you don’t know what those words are.  Scrapbooking allows you to remember all the stories, jokes, heartfelt moments, and everyday life, and share the memories with family and friends.  Imagine looking at a photo from someone else’s life.  The photo by itself may give you some hints.  Now if the photo were scrapbooked, the story behind the photo would also become clear.  Scrapbooking is a fun way to share and remember your story for years to come.

Briana: And what in the world is Memory Works?

Tracy: I like to call Memory Works the Mary Kay of the scrapbooking world.   Memory Works carries scrapbooking products from all the big names (Fancy Pants, Pink Paislee and BoBunny, to name a few), as well as their own line called Simple Stories.  Memory Works also offers a monthly kit subscription for $29.95 (plus shipping, handling, and sales tax).  Each themed kit is packed with coordinated papers and embellishments from different brand name companies.

In addition, Memory Works offers a Hostess Incentive.  This is a free gift to the party hostess can earn if the party results in an order of $150.00 (before tax).  I like to offer this as well if there is either a single order from a customer of $150, or if there is a group of customers, though not necessarily at a party,  that order enough supplies to meet to required minimum.  The incentive changes every month and can be anything scrapbooking related, from a collection of patterned papers to a stamp set to a few specific items from a brand name collection.

Briana: Is scrapbooking hard to do?

Tracy: Scrapbooking should be fun, so, no– it’s not hard to do.  If you find you’re having difficulty, take a step back.  See where you’re getting stuck.  Are you trying to re-create a technique or layout and it’s not coming together?  Do you not understand the terminology?  Take me for example.  I know this much about knitting and crocheting.  Now I know the terms knit and perl.  Did I spell them right?  No idea.  Can I tell you what they mean?  Nope, sorry.  I learned a lot of the terms from magazines and websites.  And for me, it clicked.  I kept wanting more and more.  So it shouldn’t be hard.  Again, if you’re running into trouble, try to pinpoint what exactly is giving you pause.  Sometimes you need clarification, or to just tell yourself there are no mistakes.  I really enjoy it and I’m always learning something new, so there’s no limit to what you can create.  I’ve found if you love it, you stick with it and your style evolves from there.

Briana: Do you have some examples of what scrapbooking is?

Tracy: Absolutely.  These are some recent layouts (a layout is 1-2 scrapbook pages).  I have lots more on my blog with close up detail photos and info on supplies and techniques I used.

Briana: Can someone teach me how to scrapbook?

Tracy: Absolutely, there are lots of options.  Now, I must confess, I learned by doing.  I never took a class, nor did I know anyone else who scrapbooked.  Heck, I had just learned about it myself.  So I went to my nearest bookstore and bought some scrapbooking magazines.  Then after reading them and devouring them (figuratively speaking, of course), I went to my local craft store and bought some supplies (careful, this hobby is addicting!  in a good way :D).  And I started scrapping!.

However, if my journey sounds scary, you can take a class.  These can be offered anywhere from a religious/spiritual center, your local craft store (big box and small business), library, school, historical society.  If you know someone who is a scrapbooker (the majority of which are women, but there are some VERY talented men out there), you can ask them to teach a class, or just teach you!  There are also numerous blogs online whose author post videos for certain techniques, etc.  And, being in the age of YouTube, there are blogs, magazines, and individual people who have a channel which you can view and/or subscribe to.  One benefit to individual scrapbookers is that they teach techniques that you may not otherwise comes across.  And they give you lots of inspiration and ideas.

Briana: Where can I get scrapbooking supplies?

Tracy: In a sense, anywhere.  However, just because you CAN get it anywhere doesn’t mean you SHOULD.  Office supplies, arts and crafts stores, big chain stores, and local scrapbooking/stamping stores; all of them carry supplies.  I’ve actually found that the big box crafts stores by me do carry some of what I need, but not most of what I’m looking for.  You can also go the online route, which opens up the possibilities tremendously.

Big box general retailers are limited in what they carry because they’re general retailers.  So, see what they carry, check the prices, and think if you’ll actually use it.  Don’t get lured by the clearance sticker of half off and pay $5 for a border punch that you’ll never use.   This is why if you can, purchase your supplies from a crafts store, a scrapbooking store if possible.  If you live out in the middle of nowhere, so to speak, your best options are probably online shopping or a consultant for a scrapbooking supplies company (yes, shameless self-promotion, I had to do a little :P)

Briana: I live in the United States, do you know anyone who I could send my pictures to for them to design a scrapbook for me, because I’m just to busy to do it myself right now.

Tracy: Why, yes I do *wink, wink.* I am happy to design a scrapbook, mini album, etc. for you.  My prices are simple and really reasonable.  I do not want any screaming wallets, thank you 😛  You can look at my blog, myscrapmuseis.wordpress.com, to check out my prices, and e-mail me at tracy . carrig @ gmail . com to get the whole party started (just delete the spaces before hitting send)!

Briana: What is your favorite thing to make?

Tracy: So far, layouts, either one of two pages.  I just finished a two-page layout for my little person’s first birthday.  I’ve start making cards, which I sell on my Etsy shop, called ScrapMusings.  And I’m starting to get into altered art, mixed media, and mini albums.  I’m loving getting messy, and I love layers.

Briana: I want to find out more about this art called scrapbooking! Show me more! Are you online? Twitter? Facebook? Pinterest? Got a blog?

Tracy: Yes, yes, yes, yes, and yes.  Here’s my stuff:

Twitter: https://twitter.com/ScrapMuse (ScrapMuse)

Facebook: https://www.facebook.com/pages/Scrap-Musings/141917992518574  (or search for Tracy Carrig (you should see a pic of me and my munchkin))

Pinterest: http://pinterest.com/ScrapbookMuse/boards/ (or look up Tracy Carrig / ScrapbookMuse, or you can just find me from Briana’s page ;P)

Etsy: http://www.etsy.com/shop/ScrapMusings (shop name: ScrapMusings)Scrapbook art by Tracy Carrig

Blog: myscrapmuseis.wordpress.co

Bead Hoarders Blog Hop: Serengeti Necklace

Bead_Hoarders_Blog_HopToday, beads long buried are born to treasure. One hundred sixty-five artists and crafters joined the challenge to finally use those beads we keep tucked away. You see, beaders are a bit like dragons…we like to hoard treasure. But Lori over at Pretty Things knows that the only thing better than hoarding your favorite beads is sharing them! So, welcome to Lori Anderson’s Bead Hoarders Blog Hop.

serengeti necklace by rlc

My Serengeti Necklace started with a few beads purchased several years ago at The Bead Museum in Glendale, Arizona. I’ve played with various designs for them but nothing really clicked until I was given a bag of tree bark. Finally, this elephant has a home!

(No ivory was used in this piece; the pale beads are resin. The little brown, round beads are some type of seed. )

Want to see more treasure? You’re sure to see some beautiful creations by the following artists!

  1. Lori Anderson, Pretty Things
  2. Nancy Dale, NEDBeads
  3. Roxanne Mendoza, Roxi Designs
  4. Melissa Trudinger, beadrecipes
  5. Rana Lea, Rana Lea Designs
  6. Perri Jackson, Shaktipaj Designs
  7. Rita Avila, Jewel School Friends
  8. Linda Anderson, From the Bead Board
  9. ?
  10. 10.  Erin Guest, Renlish

11.  Joan Williams, lilruby jewelry
12. Diane Hawkey, Diane Hawkey
13.  Jo-Ann Woolverton, It’s a Beadiful Creation
14.  Sue Kennedy, SueBeads
15.  Lisa Cone, Inspired Adornments
16.  Kari Asbury, Hippie Chick Design
17.  Nichole Byers, Nichole Byers
18.  Lori Jean Poppe, Adventures in Creativity
19.  Linda Landig, Linda’s Bead Blog and Meanderings
20.  Lori Schneider, Bead Addict

21.  Molly Alexander, Beautifully Broken Me
22.  Cece Cormier, The Beading Yogini
23.  Niki Sayers, Silver Nik Nats
24.  Elsie Deliz-Fonseca, Eliz-Eliz and All That Craft
25.  Amber Dawn, Inventive Soul
26.  Heather Powers, Humblebeads
27.  Sarah Goode, Pookledo
28.  Monique Urquhart, A Half-Baked Notion
29.  JJ Jacobs, Coming Abstractions
30.  Cheri Reed, Creative Designs by Cheri

31.  Robyn at Museiddity–You Are Here
32.  Catherine King, Catherine’s Musings
33.  Jacquie, Bead Gypsy
34.  Janet McDonald, Singing Woods
35.  Kay Thomerson, Kayz Kreations
36.  Tanty Sri Hartanti, TJewellicious by Tanti
37.  Hannah Rosner, Good River Valley
38.  Rochelle Brisson, A Creative Chelle
39.  Nelly May, Smelly Nelly
40.  Skylar Bre’z, Brising Beads

41.  Beti Horvath, Stringing Fool
42.  Christie Murrow, Charis Designs
43.  Leanne Loftus, First Impression Design
44.  Valerie Norton, Hot Art
45.  Judy Riggs, Rigglettes
46.  Crystal Thain, Here Bead Dragons
47.  Terry Carter,  Tapping Flamingo
48.  Sue, Mid-Life Great Expectations
49.  Nan Smith, Wired Nan
50.  Miranda Ackerley, MirandAck Arts

51.  Marie Covert, Creating Interest
52.  D’Arsie Manzella, This Here Now, Mamacita
53.  Stephanie Haussler, Pixybug Designs
54.  Lori Bergmann, Lori Bergmann Design
55.  Johanna Nunez, The Lovely One Design
56.  Mary Govaars, MLH Jewelry Designs
57.  Becky Pancake, Becky Pancake Bead Designs
58.  Alicia Marinache, All the Pretty Things
59.  Debbie Rasmussen, A Little of This, A Little of That
60.  Nat, Grubbi Ceramics

61.  Marjorie Savill Linthwaite, Bennu Bird Rising
62.  Cheryl McCloud, One Thing Leads to Another
63.  Heather Otto, The Crafthopper
64.  Candida Castleberry, Spun Sugar Beadworks
65.  Tracie Dean, Dean Designs
66.  JuLee Wolfe, The Polymer Penguin
67.  Ginger Bishop, Lil Mummy Likes
68.  Karen Mitchell, Over the Moon Design
69.  Jeannie Dukic, Jeannie’s Blog
70.  Dini Bruinsma, Angaza by Changes

71.  Birgitta Lejonklou, Create With Spirit
72.  Shalini Austin, Jewellery by Shalini
73.  Jayne Capps, Mama’s Got to Doodle
74.  Ile Ruzza, Ilenia’s Unique Beaded Jewelry

75. ?
76.  Annita Wilson, AW Jewelry 
77.  Sherri Stokey, Knot Just Macrame
78.  Hannah Trost, PZ Designs
79.  Linda Inhelder, Must Haves Jewelry
80.  Miri Agassi, Beadwork

81.  Hope Smitherman, Crafty Hope
82.  Dyanne Cantrell, Dee-Liteful Jewelry Creations
83.  Susan Bowie, Susan Nelson Bowie
84.  Megan Milliken, MaeMaeMills
85.  Menka Gupta, Menka’s Jewelry
86.  Ambra Gostoli, Chic and Frog
87.  Lori Lochner, Bloghner
88.  Gerda Jurimae, Gerda’s Crafts Blog
89.  Susan, Mistheword
90.  MaryLou Holvenstot, MaryLou’s time2cre8

91.  Mary Shannon Hicks, falling into the sky
92.  Karin King, The Sparklie Things Blog
93.  Christa Murphy, Adventures of One Beady Woman
94.  Jenny Davie-Reazor, Jenny Davies-Reazor
95.  Donetta Farrington, Simply Gorgeous
96.  Mallory Hoffman, Rosebud 101 – For the Love of Beads
97.  Danielle Kelley, Imbue the Muse
98.  Kym Hunter, Kym Hunter Designs
99.  Dolores Rami, CraftyD’s Creations
100.  Marcia Dunne, 13 Alternatives

101.  Marlene Cupo, Amazing Designs
102.  Emma Todd, A Polymer Penchant
103.  Wendy Holder, Jewelry by WendyLea
104.  Michelle Escano, The Cabby Crafter
105.  Louise Glazier, Lily and Jasmine Treasures
106.  Dana Hickey, Wind Dancer Studios
107.  Lennis Carter, windbent
108.  Anne Betenson, Crystal River Beads
109.  Audrey Belanger,  Dreams of an Absolution
110.  Lisa Stukel, Carefree Jewelry by Lisa

111.  Janine Lucas, Travel Stories
112.  Claire Lockwood, Something to Do With Your Hands
113.  Kathy Engstrom, Catherine’s Dreams
114.  Paula Hisel, Simply Beadiful
115.  Karla Morgan, Texas Pepper Jams
116.  Mischelle Fanucchi, Micheladas Musings
117.  Kim, Cianci Blue
118.  Linda Sadler, Ida Louise Jewelry
119.  Karen, Spokalulu
120.  Jennifer LaVite, Dry Gulch Bead and Jewelry

121.  Andrea Glick-Zenith, ZenithJade Creations
122.  Karen Martinez, Fairies Market
123.  Robin Reed, Artistry HCBD
124.  Amy Bright, LABweorc
125.  Jasvanti Patel, Jewels by Jasvanti
126.  Tammie Everly, TTE Designs
127.  Karin Slaton, Backstory Beads
128.  Natalie Moten, Running Out of Thread
129.  Sharyl McMillian-Nelson, Sharyl’s Jewelry & Reflections
130.  Jenny Kyrlach, Wonder and Whimsy

131.  LiliKrist, Handmade by LilK
132.  Jessica Klaaren, The Truth Space
133.  Cynthia Abner, Created Treasures
134.  Beth Emery, Stories by Indigo Heart
135.  Heather Davis, Blissful Garden Beads
136.  Jeanne, Gems by Jeanne Marie
137.  Sandi Volpe, Sandi Volpe
138.  Laren Dee Barton, Laren Dee Designs
139.  Steph, Confessions of a Bead Hoarder
140.  Carolyn Lawson, Carolyn’s Creations

141.  B. R. Kuhlman, Mixed Mayhem
142.  Patty Miller, Cabari Beads
143.  Elizabeth Bunn, Elizabeth Beads
144.  Marianna Boylan, Pretty Shiny Things
145.  Lizzie Clarke, The Need to Bead
146.  Christina Miles, Wings ‘n’ Scales
147.  Patricia, The Color of Dreams
148.  Marde Lowe, Fancimar
149.  Ev Shelby, Raindrop Creations
150.  Sarah Small, By Salla

151.  Perri Jackson, Shaktipaj Designs
152.  Laurie Vyselaar, Lefthand Jewelry
153.  Pam Traub, Klassy Joolz
154.  Lisa Harrison, Daisy Meadow Studio
155.  Anzia Parks, Anzi-Panzi’s Work Shoppe
156.  Ingrid, Lilisgems Handcrafted Jewelry Inspirations
157.  Andra Weber, Andra’s Joyful Journey
158.  Kelly Hosford Patterson, The Traveling Side Show
159.  Adlinah Kamsir, Dreamstruck Designs
160.  Marci, That Nothing Be Wasted

161.  Kris Lanae Binsfield,  Cherish Designs
162.  Stephanie Perry, Mustard Bead
163.  Birgit Klughardt, Gites Beads
164.  Inge von Roos, Inge’s Blog
165.  Rebecca Sirevaag, Becca’s Place
166.  Sandy Markley, Gypsy Spirit Designs
167.  Elena Adams, Lena’s Beady Blog

(Note: The Bead Museum is no longer in Arizona. They say the collection moved to Mingei International Museum in San Diego.)

Creative Spotlight: Haley Smith, Glass Bead Artist and Owner of BuckleBottom Beads

At The Torch with Haley SmithMuseiddity: Hi Haley, I’m so glad you could join us today!

How did you get involved in lampworking?

Haley: Oh, that’s easy. I was bored. Ha! Seriously, though. I was living in an apartment with my husband and one year old daughter, waiting for our house to be built. I felt confined in such a small space during the day, being that it was a typical, HOT Arizona summer, and spent waaaay too much time perusing Ebay and the internet for something to spark my interest. I wanted to make and sell something. While seeking that pastime, I came across beautiful lampwork beads by some very talented artists. Goodness, they were quite pricey! I found myself looking specifically at these individual pieces of art, curious as to what was under the layers of glass…. More glass!! While I examined (and drooled over) them, I came across a couple websites and forums that had tutorials and illustrations as to the HOW of making these beads. I was completely intrigued and just had to learn how on my own.

I found a gal who lived quite close to me (serendipitous!) and she gave me a two hour demonstration, allowing me to create two little, very uneven beads. I came home and bought my first bead making torch and the glass to melt!

Museiddity: What do you most love about making beads?

Haley: Like lots of gals, I love sparkly things. And colorful things. And pretty things! Glass is all of the above…..and more! Just being able to mess around with colors and combinations helps with my creative urges, but watching that glass melt into shape has almost a therapeutic feel to it. Mesmerizing. Yet, frustrating at the same time. It’s not an easy task to make that glass go in the shape you want it. Not for me, anyway. But that tension between peace and agony is what makes it fun and challenging. I can easily get swept up trying to create the perfect bead, but when I just relax and enjoy the process is when I make, what I feel are, my best beads.

Museiddity: Ahh…, I call that “going into the zone.” You obviously found your niche! What did your family think about your new fascination with fire?

Haley: I thought my husband was gonna think I was crazy! But, honestly, he’s been nothing but supportive. I’m still more of a hobbyist than a business woman, so he, uh, has been monetarily supportive, as well. He has helped me create the perfect environment for this creative outlet and makes sure I have time to create, too, seeing we have two very busy kids. My daughter, who is now 10, can’t wait to learn how to lampwork, but is satisfied with making kid-friendly jewelry with my beads. She is a budding fashionista, so I do take her advice to heart when it comes to turning my beads into wearable items. My son grew up with me already creating and playing with fire, so he doesn’t really think much of it. I just make sure I preach fire safety–all the time–because, ironically, fire is my biggest fear!

Museiddity: But you took something that frightened you and turned it into art, what a way to slay your demons! Speaking of demons, what are some of the struggles you’ve faced pursuing your creative vision?

Haley: That could be a really long answer. But I will just say TIME is the biggest struggle. Finding time, mainly. As I said, I have two busy kids and a family that comes first. I don’t have an “out-of-the-home” job to occupy my days, so then time becomes a procrastination tactic, as well. I’m not necessarily self-motivated. I almost do better in a time-crunch. Does that make sense? When the pressure is on, I make better use of my time. And then I have the problem of not enough time again. It’s a vicious cycle, I tell ya. Maybe I need a little fire UNDER me instead of in front of me!!

Also, like most artists of all kinds, the muse disappears sometimes. Occasionally, it’s for long periods. Finding that creative energy and that spark is difficult. I used to have to pretty much stop making beads in the summer because I work out of my garage. It was way too hot out there without the added heat from the torch and kiln. When that physical block is put up for months at a time, the creativity gets stunted, too. Trying to pick up in October, or whenever it would start to cool down, would be extremely difficult.

Museiddity: At least you won’t have to worry about the heat anymore now that you have that new, air conditioned studio space.

I’ve watched you grow from hobby to successful small business. What tips do you have to share with other “creatives” embarking on similar journeys?

Haley: Stick with it. Stick with what you love. Stick with finding that creative spark. If you’re doing something you love, then it won’t truly matter if you’re monetarily successful or not. Your heart will be satisfied. I don’t ever want it to feel like a job. If it starts feeling like work, then I take a step back and figure out a way to bring the heart back into it.

Museiddity: Oh, staying true to your heart really is the most important lesson. I think I need to print that response and tape it above my desk!

I have fond memories of the day you graciously spent giving me my first lampworking lesson; I keep the beads we made that day hanging in my office as inspiration (smile). For those who are considering taking up the torch, what basic tools will they need to get started?

Haley: I have to caution anyone who wants to melt glass to first look up all safety measures. There really are a lot of measures that need to take place before you can just start making beads over an open flame. I won’t go into all the details of it right now (SO IMPORTANT), but those things need to be sorted out before you even think about melting a rod of glass. Of course the first safety measure is ensuring your torch isn’t going to catch something on fire! That should be obvious. But, there are other measures that are less obvious. Things like eye protection, proper ventilation and working near fire-retardant surfaces are just the start.

But, as for the materials, you will need glass rods, a small basic lampwork-specific torch, mandrels (which are the steel rods you wrap the melted glass around) and bead release, which is a cement-like substance that keeps your beads from sticking to the mandrels. You will also need an annealing blanket so your beads don’t all crack into bits before you can get them in a kiln. All these little gems need to be kiln annealed so that they don’t break easily. Basically, you can do the simplest set up for about $100.There is a little torch called a Hot Head that attaches to Mapp gas canisters. It’s what I started with and it’s only about $35. Almost all lampworking online stores have a great kit with all the basics to get you started. I definitely recommend just buying a small starter kit.

Lampworking, although I made it seem like I just dove in headfirst, isn’t something to pursue lightly. Even with the safety requirements you can still proceed fairly inexpensively, but my recommendation is to do plenty of research before you begin to purchase anything. And my biggest tip? Take a class or get a demonstration from an experienced bead maker before you begin.

Museiddity: Great advice!

In addition to making custom order beads you also have a beautiful line of jewelry; can we share some pics of your favorite pieces?

Haley: Sure!

Beads - 045 copy   Beads - 150  Ribbon Set Beads - 326

 

 

 

Museiddity: They’re all so beautiful! Thanks so much for sharing with us today, Haley.

Connect with Haley:
Store/Website: BuckleBottom Beads (www.bucklebottom.com)
Keep up with studio talk at BuckleBottom Blab (http://bucklebottom.blogspot.com)

Have you ever made glass beads? Do you have a story to share or a question for Haley? We’d love to hear from you!

I’ve Been Inked! My Portrait by Megan Eckman

HaMeowby Dick by Studio MMEve you met Megan at Studio MME? Meagan is an illustrator with a mission—to help people take back their imagination. With her mighty ink pen, Megan creates images of whimsy sure to touch your heart.

This year Megan is completing “a portrait a day” challenge by working from pictures received via email. I just had to share my portrait with you; I’m day 189! My Portrait by Megan at Studio MME

In addition to illustrating books, Megan applies her talents to embroidery patterns, jewelry, note cards, and prints for your home. She might even have a few spaces open in her “portrait a day” challenge! I highly recommend you take a moment to view her site; it’s guaranteed to bring a smile.

Hungry Purple Wallpaper by Studio MMEConnect with Megan Eckman:
Studio MME http://www.studiomme.com
Megan’s blog and shop are all in one place.

Creative Spotlight: Interview with Sarah Sequins, Designer of Wearable Art

Today we’re visiting with Sarah Sequins, “a jewelry designer and artist obsessed with all things sparkly.” Sarah hosts the popular blog Saturday Sequins, where she shares her works in progress, creative inspiration, laughs, and smiles. She is also writing an ebook, but we’ll get to that in a minute. First, let’s talk about bead weaving, bead embroidery, and working with sequins.

Museiddity: Hi Sarah! I’ve been happily following your blog for awhile now; eagerly awaiting each week’s inspiring post and pics of your latest masterpiece. How did you become interested in sequins and beading?

Sarah: Hi, Robyn! Thank you so much for featuring me! I’m excited that you’ve started this new blog.

When I look back, I can’t think of a time when I wasn’t interested in sparkly things. I started collecting them before I even knew what to do with them!

The first time I thought of sequins for jewelry making, I was eight or nine years old, and I wanted to reproduce a pair of sequin earrings I’d found at the mall. I taught myself how to work with sequins and chain without any special knowledge or tools – just my little fingers!

Around that time, my sister, who’s interested in Native American beading, taught me my very first, simple bead embroidery stitches. She helped me make my own leather moccasins one weekend and let me embellish them with beads. She was the one who introduced me to bead weaving, too – I owe her a lot!

Museiddity: I’ll bet they were beautiful!

You’ve often used the terms “bead and sequin embroidery” and “bead weaving,” what is the difference?

Sarah: Both types of bead work involve a needle and thread. The difference between bead embroidery and bead weaving is that embroidery involves passing the needle through a backing – usually some sort of fabric or felt. Bead weaving, on the other hand, doesn’t use a backing; jewelry and other items are made by passing the needle through the beads themselves, and sometimes the thread.

Both bead embroidery and bead weaving have different stitches and variations. They overlap in a few places, though, which makes it a lot of fun to experiment with combining them.

Museiddity: Many of your beading designs include sequins, what skills and materials do we need to work with them?

Sarah: For very basic sequin embroidery, you really don’t need much. Some sequins, a beading needle, some thread (I like Fireline, but mercerized cotton is fine, and so is nylon thread, or Nymo). Something to sew them to. If you can pass a needle through it, you can sew sequins and beads to it!

I suggest something stiff like craft felt, buckram, Lacy’s Stiff Stuff or Nicole’s BeadBacking when you start out, though, just because fabric can pucker if you pull your thread too tight. Stiff material prevents that.

As for skills, if you can sew a simple stitch with a needle and thread, you can sew a sequin! After that, the stitches tend to build on each other – if you can do one, you can figure the rest out.

Museiddity: Some sequins have no hole, how would we apply them?

Sarah: Most, if not all, of the sequins I buy have holes – I’d love to find some without holes and play around. But! There are plenty of times when I find shiny, sparkly bits of confetti in craft and hobby stores and want to turn them into sequins. To do this, I use a 1/16 inch circular hole punch, especially the Fiskars brand.

I’ve also drilled sequins with a hand-held drill before, with mixed success. It’s hard to drill more than one at a time because they tend to slide around, even when I used a vise or tape them together in a bundle. I’m still trying to figure things out – but that’s part of the fun.

Museiddity: I’ve seen the one without the holes labeled as sequin discs. I’m thinking of using them with a two-part epoxy jewelry clay…

It sounds like this has been quite a journey for you! What surprising things have you learned about yourself by beading?

Sarah: I’ve learned a lot about my own learning style. I used to call myself a verbal learner, but really, I’m a tactile learner. I learn by diving in with a basic, bare bones knowledge, making tons of mistakes, and then coming back to books, tutorials and classes when I need to refine my technique. When I let myself learn this way, I’m a fast learner, too – which is really exciting!

I’ve also learned that I’m surprisingly patient and detail-oriented while I bead. I would have never used those words to describe myself in other aspects of my life! Now that I know they exist, I’ve started to apply them to other areas, including non-creative ones.

Museiddity: That’s the beauty of art, it reflects back to us parts of ourselves we don’t normally see.

Sarah, if someone is interested in working with sequins, how would you suggest they begin?

Sarah: I have two answers to this question. This first is to dive in, play around, and see what happens. It’s a lot of fun, and it’s a great way to come up with your own innovative techniques – especially if you’re familiar with other types of arts/crafts. You can always bring your past experience to your work.

Not everyone learns the way I do, though. For people who need a little more direction, Stanley Levy’s book Bead and Sequin Embroidery Stitches is the best I’ve found. It’s very, very thorough, and the photos are absolutely gorgeous. His book is more for garment-makers, but most of his techniques translate to jewelry making.

Museiddity: Will you share a picture of one or two of your favorite pieces?

Sarah: Of course! Here are two photos of some of my favorite pieces. The one Floral Fiestawith the red flower is called Floral Fiesta, and it’s a mix of bead embroidery and bead weaving. The second one, the bracelet, is called Goth Birthday Goth Birthday CakeCake because when it’s fastened, it looks just like a birthday cake for Morticia Adams.

Museiddity: They’re both so beautiful…and the necklace is so intricate! You weren’t kidding when you said you were patient.

Thank you, Sarah, for visiting with us!

Connect with Sarah: You can keep up with Sarah Sequins at her blog, Saturday Sequins, or at her Etsy shop.

Sarah is writing an ebook!
Embracing your creative side can sometimes be a struggle, especially if you desire to support yourself with your gifts. To help, Sarah’s book addresses the emotional side of making a creative living. Modeling the book after some of her most popular posts like Don’t Give Up and Instead of Giving Up, Sarah offers much needed inspiration to keep on truckin’.

Sarah says, “It’s about some of the silly reasons people come up with for giving up on the things they love and the one and only reason to run away from your creative work like you’re being chased by raisins (which, if you remember, are evil). It features my oddball sense of humor, and tramples some popular ways of looking at things. And like all the things I write, it’s based on a problem I had and the way I solved it. Also, there’s going to be a fun workbook section.”

The book is scheduled to launch on July 6th; visit Sarah at Saturday Sequins for more information.

Do you love sparklies, beads, or raisins? If so let us know; we love comments and questions!

Guest Post: When You Can’t Wait for Inspiration by Michelle Mach

Today I welcome Michelle Mach to Museiddity. Michelle is one of my favorite craft artists. I first met her while scheduling stops for a book tour; it was her work that inspired me to combine my writing and crafting. Please enjoy this guest post by Michelle Mach.

Beads & BooksWhen You Can’t Wait for Inspiration
by Michelle Mach

I get irritated when artists and writers talk about drifting dreamily around the house waiting for the magical burst of inspiration that will send them to the studio. I’ll admit I’m jealous. As someone who creates for a living, I don’t have that luxury. This weekend, for example, I need to come up with three original project designs–one home decor item and two pieces of jewelry–for a client. I have a deadline less than two weeks away, not to mention a host of other activities, including fulfilling a large wholesale order for a home decor store and editing three forthcoming jewelry books. I won’t be employed for long if I come up empty-handed and blame my uncooperative Muse.

You may not design craft projects for a living, but I bet there are times when you want to create something without a specific idea in mind. Here are three tricks I employ to jump start inspiration:

Examine Your Materials
I get many ideas from new materials such as an unusually shaped bead or a color I haven’t seen in awhile. The materials don’t even have to be new. Sometimes I’ll go “shopping” in my own stash of craft supplies, finding materials that I haven’t used for awhile. If I’m writing, my “material” might be notes in my journal or maybe books that I’m reading. If your own materials have you stumped, ask a friend for help. I’ve written stories prompted by one-word suggestions from friends and designed jewelry with beads that I did not choose.

Keep a Sketchbook or Journal
I keep a couple of different notebooks for drawings of project ideas or jotted notes for stories. Some of these sketches do turn into finished projects, but most don’t. Instead, my journal serves as my security blanket. I know that if I’m absolutely stuck for an idea, I can flip through my notebook and find one. (Whatever you do, make sure your notes are complete. I have a mysterious note about “chicken coffee bark” in an old notebook that I don’t think I’ll ever decode.)

Try Something New
It doesn’t have to be anything related to your craft. A new dessert recipe, a walk through a new-to-you park, or a book in an unfamiliar genre can wake up your imagination. The experiences don’t even have to be positive ones. I once sold a humorous essay about my new, hideously bad haircut.

Treasure those bursts of inspiration where ideas collide in your head and produce spectacular fireworks. But remember you don’t need to wait for those times. You can create any day, every day.

Michelle MachBio
Michelle Mach is a writer, editor, and jewelry designer in Colorado. Her jewelry designs have appeared in numerous magazines, including Stringing, Bead Trends, Easy Wire, and many others. Her essays and creative nonfiction have appeared in nearly a dozen anthologies, including The Ultimate Teacher and Classic Christmas. Visit her blog at http://www.michellemach.com/blog and her Etsy shop at http://www.etsy.com/shop/michellemach